Martha Stewart apologizes for Halloween look that offended people

Martha Stewart apologizes for Halloween look that offended people

Initially, the 85-year-old lifestyle mogul defended the appearance as a means to generate awareness, but she shared a more comprehensive apology hours afterward, admitting that her first reply had missed the mark.

Martha Stewart has apologized for dressing as a homeless person for Halloween, reversing course within hours of a first statement in which she described the costume as an attempt to draw attention to homelessness.

In a message posted to Instagram on Sunday, Nov. 1, the 85-year-old businesswoman said her earlier explanation had not gone far enough and called the costume insensitive and unfunny. “It’s hard to admit when you’ve really screwed up,” she wrote, adding that she knows many people are struggling financially and that she was very sorry.

The apology capped a weekend of criticism that began with a since-deleted Instagram post and grew after her first attempt to explain it.

A costume featured in a candle promotion

The photograph depicted Stewart wearing a dark knit beanie, a cardigan, and distressed denim, her face brushed with dark cosmetic smudges while she clutched a placard stating she was famished and seeking assistance. This visual surfaced on her Instagram profile within a publication designed to advertise her scented candles. Based on information from the PA news agency, featured via RTÉ, the accompanying text marketed her QVC candles as an ideal match for the Halloween season.

Pairing a costume that depicts extreme poverty with a product plug drove much of the anger. Users on X described the post as out of touch and tone-deaf, according to a Newsweek roundup of the reaction, and several commenters pointed to the number of Americans without stable housing. Others defended Stewart and argued that critics were overreacting to a Halloween costume, Men’s Journal reported. The post was taken down as the backlash grew, and Stewart limited comments on some of her other posts.

A preliminary remark that stopped short of an apology

Before issuing the apology, Stewart tackled the controversy during remarks shared with Page Six. She expressed distress over the offense caused by her outfit, maintained that causing upset was never her goal, and explained that the concept aimed to spotlight homelessness. Furthermore, she mentioned backing charities focused on the cause, yet omitted mentioning any specific organizations.

That explanation failed to quiet detractors, who doubted how an ensemble presented alongside commercial goods could simultaneously function as activism. Stewart reiterated this perspective within the comments section of a Just Jared Instagram post, stating that the attire aimed to draw attention to hunger and homelessness, though she admitted her initial communication fell short, as noted by Newsweek. Actor Indya Moore countered in that same space, contending that Halloween is hardly the appropriate occasion to mimic individuals enduring hardship. Shortly thereafter, Stewart shared a subsequent post, openly admitting that her previous remarks had proven insufficient.

CNN, which reported the apology on Monday, said it had contacted Stewart’s representatives for comment. Newsweek said it had asked her representative, as well as the National Alliance to End Homelessness, the National Coalition for the Homeless and the Coalition for the Homeless, to comment and was awaiting responses. By Monday, major outlets covering the story had not reported a public response from any homelessness advocacy group.

Why the costume struck a nerve

The criticism landed against a backdrop of persistently high homelessness in the United States. The Department of Housing and Urban Development’s latest annual one-night count found 745,652 people experiencing homelessness in 2025, according to a Congressional Research Service summary of the agency’s report, which was released in May. That was a slight drop from the record 771,480 counted in 2024. More than 266,000 of the people counted in 2025 were unsheltered on the night of the survey.

Costumes that turn vulnerable or marginalized groups into dress-up have drawn repeated scrutiny. In August, Target apologized and pulled a clown costume from its shelves after critics said it evoked blackface and minstrel-show imagery.

Stewart’s case drew particular attention because of who she is. She built her name in the 1980s as an authority on cooking, entertaining and home life, launched Martha Stewart Living magazine in 1990 and went on to win a dozen Daytime Emmy Awards. Her career survived a 2004 conviction for lying about a stock sale, for which she served a five-month prison sentence, and in recent years she has cultivated a playful, often provocative social media presence that has drawn criticism before.

A long Halloween tradition

Halloween has been part of Stewart’s brand for decades. She has staged elaborate costumes over the years and features them in her magazine’s annual Halloween coverage. In 2024 she appeared on the cover of that issue as Queen Elizabeth I, in a gold gown, a white lace ruff and a crown, carrying an orb and scepter that were in fact a holiday ornament and a curtain rod, according to Marie Claire. Her editors used the look to dub her the “Queen of Halloween.”

Newsweek noted that she has also shared throwback photos of past outfits, including a haunted horsewoman from 2009 and a costume she wore to Bette Midler’s 1998 Hulaween gala. She has also described decorating the gate of her farm each year and handing visiting trick-or-treaters a mix of candy and a little cash.

That history helps explain why this year’s costume landed so badly with many of her followers. Stewart’s Halloween posts are usually built around craft, fantasy and spectacle; this one put a real and widespread hardship in the role of a character, and attached it to a sales pitch.

As of Monday, the original image remained deleted, and Stewart had not said whether she plans any further response, such as naming the charities she referred to in her first statement.

By Emily Young